Dennis DeYoung, the keyboard player and singer of the legendary band Styx, has a lot to say about his music, his career, and his life. In this interview, DeYoung reflects on his journey, his influences, and his decision to release his final albums, 26 East, Vol. 1 and Vol. 2. He also talks about his relationship with the band, his fans, and his legacy. Here's a closer look at what DeYoung has to say, with my own commentary and analysis.
A Keyboard Player's Journey
DeYoung's love for music began with his desire to emulate keyboard players like Jon Lord of Deep Purple and Rick Wakeman of Yes. He was drawn to the idea of showing off his skills like a guitar player, and this influenced the progressive elements in Styx's music. However, he also emphasizes that Styx was an American rock 'n' roll band at heart, and their music was a hybrid of various genres.
What makes this particularly fascinating is that DeYoung's influences were not limited to progressive rock. He also cites The Moody Blues and The Beatles as early inspirations. This diverse range of influences shaped his unique style and contributed to the diverse sound of Styx. It's interesting to see how DeYoung's personal tastes and experiences influenced the band's music, and how they evolved over time.
The End of an Era
DeYoung's decision to release his final albums, 26 East, Vol. 1 and Vol. 2, is a significant moment in his career. He reflects on the state of rock music today, suggesting that it's dead and that the internet has ruined it. This is a bold statement, and it raises a deeper question about the future of music and the role of technology in shaping it. In my opinion, DeYoung's observation is a reflection of a broader trend in the music industry, where streaming services and social media have changed the way we consume and engage with music.
One thing that immediately stands out is that DeYoung's perspective is shaped by his own experiences and observations. He has seen the rise and fall of rock music, and he has witnessed the impact of technology on the industry. This gives his commentary a unique depth and authenticity that is hard to replicate.
A Voice That Endures
DeYoung's voice is a testament to his dedication and discipline. At 73 years old, his voice still stands up magnificently, and he attributes this to his healthy lifestyle and self-care. He avoided drugs, alcohol, and smoking, and he took care of his voice by hiring a large Ukrainian woman to yell at his children when he needed a break. This is a fascinating insight into the life of a professional musician, and it highlights the importance of self-care and discipline in maintaining a healthy career.
What many people don't realize is that DeYoung's voice is a finite resource, and singers must respect that. This is a lesson that many aspiring musicians can learn from, and it's a reminder of the importance of taking care of one's body and voice.
A Song for the Fans
DeYoung's collaboration with John Lennon's son, Julian, on the song 'To The Good Old Days' is a heartwarming moment in the interview. It's a song about forgiveness, and it's a reflection of DeYoung's relationship with his fans, friends, and family. However, he also makes it clear that he doesn't believe he has to forgive the current Styx line-up, who replaced him when he was sick.
This raises a deeper question about the nature of forgiveness and the complexities of human relationships. From my perspective, DeYoung's stance is a reflection of his own experiences and emotions, and it's a reminder that forgiveness is not always easy or straightforward. It's a complex issue that requires careful consideration and reflection.
A Legacy That Endures
In the end, DeYoung's legacy is not defined by his time in Styx, but by his music and his impact on the industry. He doesn't care whether people remember him, and he's content with the fact that his music will endure. This is a powerful message, and it's a reminder of the importance of creating art that stands the test of time.
If you take a step back and think about it, DeYoung's perspective is a reflection of the broader trend in the music industry, where artists are increasingly focused on creating music that resonates with their fans, rather than on their own careers. This is a shift that has been occurring for some time, and it's a trend that is likely to continue in the future.
In conclusion, Dennis DeYoung's interview is a fascinating insight into the life and career of a legendary musician. His commentary and analysis are thought-provoking and engaging, and they offer a unique perspective on the state of rock music and the future of the industry. As an artist, he is a role model for his dedication, discipline, and commitment to his craft, and his music will continue to inspire and delight fans for years to come.
